Textile and Fabric Terms
Indonesian term for the wax-resist dyeing process, or a fabric decorated with this process. Such fabrics reached fantastic heights of virtuosity on the island of Java in Indonesia in the late 19th and early 20th centuries after the introduction of machine-made cotton fabrics permitted more finely controlled designs.
A method of preparing fibers for spinning. It is used to even out the density of short fibers, most often wool, by laying them on the teeth of a wire brush (called a card) and scraping them with another matching wire brush. Cards with metal teeth are first recorded in Europe in the 13th century. Yarns spun from carded wool tend to be weak and spongy.
A method of preparing fibers for spinning. Fibers are aligned by drawing them through the teeth of a single large comb or transferring them between two combs. The process also separates longer fibers from shorter ones. Yarns spun from combed wool are smoother and stronger than yarns from carded wool, and are known as “worsted.”
An embroidery stitch in which threads are laid on fabric and sewn down with another thread. Decoration with metallic or metallic-wrapped thread is often couched both for economy (no precious metal is wasted on the back) and practicality (the metallicwrapped thread is not fine or flexible enough to be easily pulled through cloth).
A process through which molecules imparting color are chemically bonded to fibers. The fibers may be un-spun, or in the form of yarns or fabrics, during the dyeing process.
A liquid containing a color-producing compound capable of being chemically bonded to fibers.
Dye in which the coloring agent is extracted from plant, animal, or mineral matter. The most common natural dyes are found in plants, but certain insects produce a red dye and certain shellfish produce a purple dye. Rust is an ancient mineral dye.
Dye in which the coloring agent is chemically manufactured. The first synthetic dyes were developed in the mid-19th century, and many types have been invented since then. A few of the compounds synthesized are the same as those found in natural sources (for example, indigo). Synthetic dyes are much easier to use and give the dyer more control over results than natural dyes.
A substance (frequently a metallic oxide) that helps to create a chemical bond between the dye and the fiber in the dyeing process.
Warp or Weft Resist Dyeing
A process in which groups of either the warp yarns, the weft yarns, or both are tightly wrapped at intervals and then dyed before weaving. The wrapped areas resist the dye. Often called ikat, from the Indonesian term
A process in which cloth is either knotted on itself, or thread is wrapped tightly around bunches of cloth before dyeing.
A process in which areas of fabric are coated with hot wax before dyeing. The coated areas resist the dye. Designs can be drawn free hand or a metal stamp may be used to apply the wax. Often called batik, from the Indonesian term.
A process similar to wax- resist dyeing in which a starchy paste is applied to areas of fabric before dyeing. Designs can be drawn free hand or a stencil may be used.
The embellishment of fabrics by means of needleworked stitches. An extensive variety of stitches and materials are used in embroidery.
A fabric made of loose, haphazardly arranged wool fibers, which have surface scales that stick to each other as a result of the felt-making process. In Central Asia, nomadic peoples live in circular tents called yurts, whose roofs and walls are covered in felt.
The process of making felt includes disarranging the wool fibers, placing them in a thick layer, and then subjecting them to moisture and extensive friction over several hours, causing the fibers to shrink and mat together.
A long and narrow hair-like component of plant or animal tissue, and by extension the smallest linear component (natural or manufactured), used to create a yarn or textile. Usable textile fibers can be extracted from the stems or leaves of many plants, some wild and others domesticated. Examples of the latter include linen which comes from the stems of the flax plant and cotton which is a seed hair. Likewise, the hair of many animals, as well as the silk of the silkworm, can be used to make textiles. The term also applies to manufactured fibers such as nylon and acrylic.
Indonesian term for the warp- or weft-resist dyeing process, or a fabric made using this process. The technique was very highly developed in Indonesia, Central Asia, and Japan.
A dye containing the coloring agent indigotin, which produces a blue color. Indigotin is found in the leaves of several species of plants native to and utilized in different parts of the world. Indigotin was first synthesized in the late 19th century.
Turkish word sometimes used to describe rugs without pile. It more precisely refers to rugs woven in slit tapestry weave made in the traditional rug producing areas of the Middle East.
A technique using a single element or yarn in which a loop is drawn through a previous loop at the edge of a fabric. It first appeared during the Middle Ages, probably in the Islamic world, from which it spread to Europe and from Europe to the Americas.
A device for weaving, containing a means of lifting selected warp yarns above other warp yarns, forming a space called a shed through which the weft is passed. Such devices cannot function unless the warp is under tension, so all looms also contain a means for stretching the warp. The invention of the loom greatly increased the speed at which cloth could be made of spun yarns. There are many different methods of stretching the warp and of forming sheds, ranging from the very simple to the very complex.
A technique using a single element or yarn in which the free end and full length of the yarn is pulled through previous work at the edge of a fabric to form each new loop. The element crosses over itself in proceeding to make the next loop. Looping is an ancient technique that existed before the domestication of fiber sources and the invention of the loom. The technique is still practiced in areas with less European influence such as the Amazon rainforest and New Guinea. Frequently, long plant fibers are used that can be twisted into yarn as the work proceeds.
Contrary to myth, gold and silver cannot be spun, and they are generally too precious and heavy to be woven in the form of wire. Frequently, the glint of gold or silver that embellishes many traditional textiles is a silk or linen yarn that has been wrapped with thin strips of metal.
Any of a variety of pile carpets traditionally from regions east of the Mediterranean Sea (once referred to as the Orient). The terms carpet and rug are often used interchangeably, but “carpet” sometimes specifically refers to floor coverings.
The joining of pieces of fabric to make a larger textile. The top layer of “patchwork” American quilts is pieced before being quilted.
A plush or shaggy surface on a fabric resulting from loops or ends of yarn or fiber projecting above or below the surface of the fabric. In Oriental carpets, pile is formed by the cut ends of yarns commonly called rug knots.
The simplest possible interlacing of warp and weft elements in which each weft element passes alternately over and under successive warp elements (over-one, under-one), and each reverses the procedure of the one before it.
Balanced Plain Weave
Plain weave in which the warp and weft yarns are of the same size and interlaced with equal spacing.
Warp-Faced Plain Weave
Plain weave in which the warp yarns are significantly more numerous than the weft yarns so that they completely hide the weft.
Weft-Faced Plain Weave
Plain weave in which the weft yarns are significantly more numerous than the warp yarns so that they completely hide the warp.
The process of twisting together two or more single yarns. If the yarn is composed of two singles twisted together, it is said to be 2-ply; if of three singles, 3-ply, etc. Plying is usually done in the opposite direction from spinning.
A rug or carpet with the design of a niche or arch at one end of the field, some of which may have served Muslim worshippers in prayer.
Although with the invention of synthetic dyes it is now possible to apply color directly to fabric, this process will not produce washable colors with natural dyes. Instead, designs first had to be printed either with a mordant or with a resist, and the entire fabric then immersed in the dye bath.
The process of sewing together layers of fabric with lines of stitches, usually with a layer of padding in between the layers. Such stitching not only holds the layers together but is also often decorative in its effect.
The terms rug and carpet are often used interchangeably. However the term “rug” is broader, often including a range of coarse weavings including tent furnishings, bags for storage and transport and animal trappings.
A segment of a supplementary wrapping weft whose cut ends project above the surface of the rug. Although called a “knot,” the yarn segments are not actually tied, but just wrap around the warp yarns and are held in place by the ground weft yarns. Depending on the coarseness of the yarns and how closely they are set, the number of “knots” per square inch of a rug or carpet can range from less than 50 to more than 1000.
The edge of a fabric where the yarns reverse direction.
The process of cultivating, harvesting, and processing silk from silkworms, primarily the domesticated caterpillar Bombyx mori, which is a type of moth. Silkworms are fed a diet of mulberry leaves, increasing their body weight nearly 10,000 times in their month-long lifespan. The silkworms extrude a protein-based liquid that when exposed to air becomes the filament that creates their cocoon. The cocoons are soaked in hot water to soften them and the filament is drawn out and wound onto a reel. Several filaments are drawn out simultaneously and twisted together in a process much like plying.
A stick or other device on which the weft yarn is wound in order to make it easier to pass it through the shed during weaving.
The filaments secreted by caterpillars and spiders. While the silk of most caterpillars and spiders is not practical for textiles, there are a few species of moths whose cocoons yield usable fiber. One species, Bombyx mori, was domesticated in ancient China and its cultivation is known as sericulture.
A narrow tapered stick that is twirled in the spinning process, and onto which the spun yarn is wound. Hand spindles usually have a weight or whorl to help provide momentum.
The process of drawing out and twisting together massed short fibers into a continuous strand. Fibers of naturally limited length, such as cotton and wool, must be spun to achieve a desired length, texture, and strength. Traditionally most fiber was spun using a hand spindle. Today most fiber is spun by machine.
A type of weft-faced plain weave in which the weft yarns are discontinuous, turning back at the edges of each color area, instead of extending continuously from selvedge to selvedge.
Slit Tapestry Weave
The discontinuous weft yarns turn back around adjacent warp yarns, forming slits between the color areas.
Anything made by people from fibrous materials. The term includes fabrics made of adhered fibers like felt, items made of relatively unmodified plant materials like baskets and mats, fabrics made of spun yarns such as knitted and woven cloth, and items made of synthetic linear elements such as nylon window screens.
The relationships of the elements in a finished textile. For example, plain weave and tapestry weave are structures found in woven textiles.
A method or process used to create a textile. Different techniques can produce the same structure. For example, a cloth woven on a loom in plain weave can have the same structure as a basket interlaced using only the hands.
A textile structure in which groups of two or more elements in one direction twist around each other as they engage elements in the opposing direction. Twining may be oblique to the edge of the textile, as in a braid, or it may occur in either the warp or the weft direction or both.
On a loom, the warp is the set of elements stretched in place before the weft is introduced during the weaving process. The term is also used for a set of elements established before the interworking of weft elements by some other method, such as finger manipulation yielding wrapped or twined structures. In a finished fabric with two or more sets of elements, the warp is the longitudinal set
On a loom the weft is inserted over and under the warp during the weaving process. The term is also used for elements interworked with a warp by some other method, such as wrapping or twining. In a finished fabric with two or more sets of elements, the weft is the transverse set.
The general term for any assemblage of fibers that has been put together in a continuous strand suitable for weaving, knitting and other textile techniques.